The long take, a shot of What is a long take duration, was not an aesthetic choice when it was first used. Filmmakers in the early days of cinema had no choice but to shoot their works in one continuous take, until the film ran out.
Even as it became technically possible to have cuts in films, the finished product would often still look more like a stage drama, with a static camera stringing llong a series of narrative sections.
In the early s, the long take began to assume a more important role in the What is a long take of film aesthetics.
Two directors whom Bazin cites often in his writings on the long take and deep focus are Jean Renoir and Orson Welles. A number of films today make use of the long take.
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